2024 Doctor of Philosophy, Florida State University. Major: Theatre and Performance Research. Specialty: Irish/Northern Irish Theatre and Funerary Ritual.

2018 Master of Liberal Arts, American Repertory Theater/Moscow Art Theatre Institute for Advanced Theatre Training at Harvard University. Focus: Dramaturgy and Theater Studies.

2013 Bachelor of Arts, Florida State University. Major: Theatre.

Looking For by Ahon Gooptu (2023). Collaborator/Performer

Florida State Univerity Fringe Festival. Tallahassee, FL

Dragons Love Tacos by Ernie Nolan, dir. Jacob ben Widmar (2023). Dramaturg

Florida State University. The Fallon Theatre, Tallahassee, FL

Men on Boats by Jaclyn Backhaus, dir. Mary Gunglach (2022). Dramaturg

Florida State University. The Lab Theatre, Tallahassee, FL

Chicago by Frank Ebb, Bob Fosse, and John Kander, dir. Christopher Núñez (2019). Co-Dramaturg (with Elaine Hendriks Smith)

Florida State University. The Fallon Theatre, Tallahassee, FL

The White Card by Claudia Rankine, dir. Diane Paulus (2018; World Premiere). Assistant to the Dramaturg (P. Carl)

The American Repertory Theater/Arts Emerson. Paramount Theatre, Boston, MA

HEAR WORD! Naija Woman Talk True by Ifeoma Fafunwa, dir. Ifeoma Fafunwa (2018). A.R.T. Institute Dramaturg

The American Repertory Theater. Loeb Drama Center, Cambridge, MA

Charlotte’s Web by E.B. White, adapted by Joseph Robinette, dir. Dmitry Troyanovsky (2017). Dramaturg

The ART/MXAT Institute for Advanced Theater Study. Loeb Drama Center, Cambridge, MA

The Owl Answers by Adrienne Kennedy, dir. David R. Gammons (2017). Dramaturg

Harvard University’s Concentration in Theater, Dance, and Media. Farkas Hall, Cambridge, MA

Le Grand Meaulnes by Alain-Fournier, adapted and directed by Kyra Hauck & Lauren Hlubny, with collaboration by Casey Lynne Delaney. Choreographed by Kyra Hauck. (2017). Dramaturg

Danse Theatre Surreality. Théâtre de Ménilmontant, Paris, France

An Evening of Brecht, scenes from Bertolt Brecht directed and curated by Adolf Shapiro (2017). Dramaturg

The ART/MXAT Institute for Advanced Theater Study. Moscow Art Theatre School, Moscow, Russian Federation

Instructor of Record

Florida State University (2019-Present)

THE4303: Play Analysis

THE4329: Theatrical Encounters: Shakespeare

Seminole High School (2018-2019)

Acting I-IV

IB Theatre

Teaching Assistantships/Fellowships

Florida State University (2019-Present)

THE2000: Introduction to Theatre for Non-Majors (Prof. Elizabeth Osborne)

THE2000: Introduction to Theatre for Non-Majors (Adjunct)

THE2020: Introduction to Theatre for Majors (Prof. Aaron Thomas; Prof. Brandon LeReau)

THE3213: World Theatre History I (Prof. Kellen Hoxworth)

THE3214: World Theatre History II (Prof. Kellen Hoxworth)

THE4923: Encounters: Performing Ireland (Prof. Terri Bourus)

Harvard University/ Harvard Extension School/Harvard Summer School (2016-Present)

TDM150: The Art of Scenography (Prof. Julia Smeliansky)

TDM193: Choreographing Theater (Prof. Paul Lazar)

TDM115: Foundations in Acting: Acting Shakespeare (Prof. Remo Airaldi)

TDM115: Intro to Acting: Practical Aesthetics (Prof. Scott Zigler)

DRAM-E 12: Acting Shakespeare (Prof. Remo Airaldi)

DRAM-S 10: Improvisational Acting (Prof. John Kuntz)

DRAM-S 21: Introduction to Acting (Prof. John Kuntz)

DRAM-S 22: Introduction to Directing (Prof. Marcus Stern)

DRAM-S 140: Public Speaking (Prof. Remo Airaldi)

2015, 2017, 2021

Summer Acting Intensive: Fontainebleau School of Acting, Fontainebleau, France

2021

Love, Passion, and Intimacy: Royal Academy for Dramatic Art; Online (June 2021)

2013

Summer Acting Intensive: Guildhall School of Music and Drama, London, UK

2012

Summer Ballet Intensive: Galmont Ballet, Viera, FL

“Funeral, Interrupted: The Funeral[s] of Larry Marley and Paramilitary Funerary Ritual.” Paper presented as part of the Theatre History Symposium at the Mid-America Theatre Conference meeting in Minneapolis, MN (2023). (National)

“Violence and Humor in Contemporary Northern Irish Drama.” Paper presented as part of the “What IS Irish?": Reinventing Irish Identity in a Post-Celtic Tiger, Post-Troubles World panel at the Association for Theatre in Higher Education meeting in Austin, TX (2021). (National)

“The Great White [Male Author]: The Challenges and Ethics of Adapting from the Classical Canon through Dave Malloy’s Moby-Dick.” Paper presented as part of the New Scholars panel at the International Federation for Theatre Research meeting in Galway, Ireland (2021). (International)

“Gay Laughs and Graves: Tracking the Instability of Irish Identity through the Abbey Theatre’s Productions of Sean O’Casey’s The Plough and the Stars.” Paper presented as part of the Theatre History Focus Group Debut Panel at the Association for Theatre in Higher Education meeting in Detroit, MI (2020). (National)

“Come Close and Listen: An Interview with Ifeoma Fafunwa,” A.R.T. Guide, Fall/Winter 2016-2017

“Performing Themself: An Interview with Becca Blackwell,” A.R.T. Guide, Winter/Spring 2016-2017

The Freedom of the City by Brian Friel. Director.

Conradi Studio Theatre, Tallahassee, FL

New Play Reader, Native Voices at the Autry (2020-present)

Resident Dramaturg, Danse Theatre Surreality (2016-present)

Fellow’s Society Development Committee (2020-2021; Secretary/Historian 2021-2022; Chair 2023-2024)

Fellow’s Society Forum Committee (2020-2021)

Fellow’s Society Mentoring Initiative (Chair, 2022-2023)

New Play Reader, Bay Area Playwrights Festival (2019-2021)